Press
EcoTheo Collective
“These poems embrace that accumulation, celebrate it, linger in it. And this is certainly a book for lingering in. Barnes has a built a collection that rewards you for spending time in its lines. The more time you do spend with these poems, the more you see in them. These are not only poems of resistance, but poems of resilience. How we survive, how we carry on—not how we move on from grief or from trauma, but we move on with grief, with trauma, with the weight of our past experiences carried into our present, our future…There’s such tender hope in these lines. Of course a poem about grief doesn’t end grief. Of course an elegy doesn’t bring back a lost loved one. And yet—for a moment—sort of—maybe it does. That’s the act of faith, the reason for poems, the kind of beauty that permeates You Do Not Have to Be Good from start to finish.” —Amorak Huey, reviewing You Do Not Have to Be Good
“The idea of loss and death is central to the book, the deaths of friends, lovers, family and of the speaking ‘I’ are woven in a tapestry of shared experience. But against the shadow of death, Barnes posits the light of friendship, love & family, & above all, love, the force that compels us to live in the face of death. It is this resilience that shines through in these carefully crafted poems.” —Billy Mills, reviewing You Do Not Have to Be Good
“The book is iron, metal and diamond, anchoring the reader to the embryo and blood coursing through its lines…Barnes’s You Do Not Have to Be Good is a telescope through which you will find that which you love or grieve most intensely. I invite you to read for yourself, to find the poem that burns the brightest for you: ‘to contradict / a death, one must believe they can / still hear a sunrise.’” —Reviewer Sara Cahill Marron
Frontier: Exceptional Poetry from Around the Web
“This poem by Madeleine Barnes is astonishing. There’s something hard and luminous about it, as it builds down the page, in long lines that seem almost “unaware / of their authority, self-mastered.” I admire Barnes’s bold, abstract nouns – “childhood,” “speculation,” “authority,” “expectancy” — which stud her lines like “metallic gifts.” Like the best poems, “To Charge Forward’ charges into the mind and fixes there.” —Felicity Sheehy’s comments on “To Charge Forward”
periodicities: a journal of poetry and poetics
“I found it very pleasurable to turn the pages and look for links between images, movements and textures of light. Barnes’s manipulations of light, using ‘matches, sparklers, moonlight, sequins, timers, apertures, flash, motion, layers…’ evokes a kind of written language…we are invited to imagine locations, movements, stories behind the foregrounded light traces. This activity, looking slowly and carefully beyond what is highlighted, feels much like reading a poem.” —Genevieve Kaplan, reviewing Light Experiments for periodicities: a journal of poetry and poetics, 2020.
“You Do Not Have to Be Good is an emotionally imaginative debut, showcasing Barnes' use of lyrical anecdotes to creative a memorable and reflective collection of poetry. The collection is partially dedicated to ‘all queer disabled women and non-binary folks everywhere,’ and is one individuals in those categories should seek out. And even if the reader doesn't fall into those demographics, it's still a marvelous debut that builds vivid scenes and images, told in such language that the reader surely won't forget any time soon.” —Reviewer Alex Carrigan
Large-Hearted Boy
“Profound and ambitious.” —David Gutowski, reviewing You Do Not Have to Be Good
“Madeleine Barnes’ You Do Not Have to Be Good layers memory and the metaphysical in order to create a thought-provoking collection. It gives a voice to those within marginalized groups, offering ideas of potential in a beautiful, lyrical manner…they can be the equivalent of a shining galaxy.” —Reviewer Ashley Hajimirsadeghi
“Light Experiments by Madeleine Barnes Porkbelly Press, 2018 is hand-bound with linen thread, and hand-waxed with beeswax. You will want to close your eyes and run your fingers over the hand-torn cover with its debossed lettering — they prepare the reader to forego usual ways of seeing. The book opens with a Gwendolyn Brooks quote: ‘Books are meat and medicine/and flame and light and flower/steel, stitch, cloud and clout,/and drumbeats on the air.’ The exhilarating roll-out that follows includes nine double-page, high-contrast photographic spreads that are technically black-and-white, though I’m betting if my eyes had as many cones as a bird’s, I would see a new palette altogether — such is the book’s ability to suggest.” —Lynn McGee, reviewing Light Experiments
Awards
Nominated for The Pushcart Prize by Trio House Press
Nominated for the K. Patricia Cross Future Leaders Award
Nominated by Glass Poetry for Sundress Publications’ Best of the Net Anthology
Invited to participate in “From My Window…And Other Places” by the Center for the Humanities and the Teaching and Learning Center
Nominated by [PANK] Magazine for Sundress Publications’ Best or the Net Anthology
Awarded a Light Relief Grant from The Graduate Center’s Lost & Found initiative
Awarded a Mellon Foundation Public Humanities PublicsLab Fellowship
Features and Interviews
CLMP featured Women’s Work as a February release in February 2021.
Featured in Sundress Publications’ Lyric Essentials Series reading Michelle Maher’s Poetry in November 2020.
Featured in “Exceptional Poetry” in Frontier Magazine alongside Tracy K. Smith in September 2020.
Featured in Largehearted Boy’s Book Notes Series in August 2020.
Featured in the Best Dressed section of The Wardrobe, Sundress Publications’ Blog Space in August 2020.
Featured on The Hermit Poetry Series hosted by Neil Aitken in August 2020.
Featured in The Poetry Society of America’s “In Their Own Words” series in March 2020.
“Materials for Love: An Interview With Madeleine Barnes and Michelle Maher” in The Brooklyn Review conducted by Tom Kozlowski, 2020.
Book featured on Community of Literary Magazines and Presses list of notable Small-Press Releases in July 2020.
Book featured on “Open to All: A Crowd-Sourced List of Over 200 Mid-2019-2020 Poetry Titles” in The Kenyon Review, 2020.
Creatives vs. Coronavirus: Madeleine Barnes, Interviewed by Dani Burlison, 2020.
Featured in Thomas Whyte’s Five-Part Mini Interview Series, 2020.
Featured in Frontier: Editors Talk Poetry Acceptances, 2019.
Light Experiments featured on The Reading List, April 2019 via The Poetry Foundation, 2019.
Cordella Magazine featured in Luna Luna Magazine’s “15 Presses & Journals That Will Make You Weep With Pleasure,” 2019.
Excerpts of Cordella Magazine featured in CALYX Vol. 30:3, 2018.
Pre-2018 Awards
2018: Awarded a Five-Year Doctoral Fellowship by The Graduate Center, CUNY’s English PhD Program
2017: The Mark My Body Draws in Light mentioned in Ariel Francisco’s interview with Speaking With Marvels
2017: Featured Artist: Les Femmes Folles
2016: Featured Writer: The Plath Poetry Project
2014: Cover Design Winner of The Looking Glass Magazine’s Cover Design Contest
2013: Poetry Ireland Introductions Series Interview with Philip Cummins
2012: Student Leadership Award from Carnegie Mellon University
2012: Carnegie Mellon Adamson Award: Poetry, Second Place
2012: Nominated by English Department at Carnegie Mellon for Gretchen Goldsmith Langford Award
2012: Hungry Poets Prize from West Virginia University
2011: Academy of American Poets Prize from Carnegie Mellon University
2011: New York Writer’s Institute Scholarship from Skidmore College
2011: Gertrude Gordon Journalism Prize from the Pittsburgh Women’s Press Club
2010: First Place in the Albion Review Poetry Contest from Albion College
2010: First Place in the Three Rivers Review Poetry Prize
2009: First Place in the Borders Open Door Poetry Prize
2007: Mom Discovers Another Poet In The House in The Pittsburgh Post-Gazette